Here progress of the contents of the first issue of our publication, which will air soon on http://www . extrabismos.com /
Dossier
AUDIOVISUAL DIALOGUE COLOMBIAN TERRITORY
Trials
-Encounters with the Non-Fiction: Art and Politics
Country For Oscar
Summary: The author refers to three works by American artists who had great figurative art circuits in 2007: A Paper Tiger Luis Ospina, Project for a memorial Oscar Muñoz and Ivan Disaster Marino. The text raises questions about the political dimension of this work. Questioning the naive view that seeks to discover in them overtones of truth where there is only one area covered by a set of signs? Or is it criticism from art aestheticized political discourse through the media?
-Trances, transformations and mutations. New Colombian film looks
By Juan Diego Parra
Abstract: This essay are reviewed three recent films of Colombian films new perspectives that could be considered unpublished topics: the problem of time and memory (Looking for Miguel John Fischer), the identity crisis (I am another Oscar Campo) and the meaning of trance as a rite of initiation of transformation (Dog eat dog Carlos Moreno).
-criminal genre films in Colombia / The cinema criminal degenerated Colombia
For Deivis Cortés
Summary: since 1999, and the turn of the century, several Colombian filmmakers have been concerned to rescue American gender patterns for national storytelling (if not chauvinistic). The article focuses on four examples of different intentions: Breath of life of Luis Ospina, El Rey Antonio Dorado, The history of Libya trunk Stella Pink Dog eat dog Gomez and Carlos Moreno.
"I love you Ana Elisa. The way of hyperbole between form and content
By Beatriz Elena Acosta
Abstract: The article places film I love you Ana Elisa in the Aesthetic of trying to carefully review Sinister specific sequences in which the categories can be traced kitsch abject, disgusting. The aim of this paper is to show that the film resorts to such aesthetic categories from the very foundations of history, not lifestyle choices, ie that I love you so hyperbolic Ana Elisa is not a purely formal, but that is the hub of the action, which is at the heart of the constitution of the various human characters that are encountered in an urban world that has teratosfera become hellish.
"The crisis of the fictions of self
Country For Oscar
Summary: From his experience in the design and conduct of this film I am another , Óscar Campo offers intellectual mapping, drawn by the theoretical references that inspired him and helped him to endure a work that builds on doubt about categories such as identity and subjectivity.
"The stories and the arguments of the feature film
Fifty years of hybridization in Colombian cinema narrative
By Gabriel Alba
Abstract: In this article the author takes us through some Colombian representative films fiction film from 1950 to 2000 in order to answer the questions: How has told us stories Colombian film? How have you structured the many unique events in history? How has the primacy of the agreement on the discrepancy?
- Outline of a sociology of Colombian cinema from the Acevedo
The nation box
By David Zapata
Summary: The author proposes to relate the formation of a idea of \u200b\u200bnation with cinematographic creations by The Acevedo between 1920 and 1955. His argument is that such achievements are the result not only of individual creation, but also a set of social conditions existing at that moment in history that contributed to the formation of an idea of \u200b\u200bnation in Colombia.
- Student Visa: Looking for Colombian cinema in Anglo-American academia.
By María Antonia Vélez
Summary: The article talks about the looks that the Anglo-American academia has led to Colombian cinema and focus changes that have occurred since their first meeting in late the sixties, film studies cuandolos seeking autonomy as a discipline and looked forward to the politicized American cinema, to the current context, when it tends to fall into a cosmopolitan marked by indifference.
- It is possible that convergence with the television industry is leaving
Colombian cinema, in your maze?
By Ximena Ospina
Summary: The optimism and euphoria brought on by the Film Act passed in Colombia in 2003 and its notorious and early results, infected with the lucrative private television the country and pushed for now, though timidly uncertain to bet the movie business. The article looks at how sincere is this interest and how long it might last.
-TV: Reality or 'Pura Screen'?
By Camilo Calderon
Summary: The author describes the threats that fall on the information content transmitted by the television, when polluted by commercial interests. Exhibits also from the influence of the market, the transformation of the roles of those involved in the production and reception of such content, journalists, presenters, corporations and fans.
"The digital story is an expression of cyberculture
By Jaime Alejandro Rodríguez
Summary: The paper summarizes the theme of the digital story as a contemporary narrative forms interesting that comes with the dynamic and expressive possibilities of new media. The author points out the elements that distinguish it from the stories in traditional formats and provides some examples of its modus operandi.
- Borders semiotic textual analysis of audiovisual
By Julio César Goyes
Summary: After mapping the relevant boundary between the semiotic analysis and textual analysis of the visual, as it debates on the methodology that realizes significant (communication) is not responsible for the aesthetic experience (the sense) to The discussion proposes a methodology where the subject is part of the statement of the visual narrative.
another school "Our documentary
O social-existentialism of our market position outside
By César Augusto Tapias
Summary: The author, from his own experience as a sociologist making documentaries, examines the method used to give the floor to another: from attentive listening to the transfer of means for the subject to which dominant representations condemned to express themselves subordinate, may be narrated, preventing the specialist or dominate the social scientist argumentation.
- The role of university audiovisual production within national
By Sandra Ruiz
Summary: The text covers the current university audiovisual production from the thematic overlap of work, their structures, appropriation of technology and aesthetic treatment of the image. Putting academy as responsible, the author questions the extent to which university to do what the filmmakers are Colombian or Colombian filmmakers are the product of what they were in college.
-Writing music for film
By Alejandro Ramírez
-television in particular
By Andrés García La Rota and Enrique Rodriguez
Summary: artistic experiments with the devices and language of television have little tradition in Colombia, where the "idiot box" has received an excessive reverence. The following article reviews the global use of television with emphasis on those that exceed the current communicative intentions and limited to the art world, and ends with a brief look at the few examples of this type produced in the country.
's
-Andrés García La Rota
The poet maudit of video art
For
Carolina Escobar Andrés García La Rota is a video artist, teacher and organizer of the Latin American festival of electronic arts experience Colombia. The following is an introduction to his life and work, driven by his obsessions and interests.
Interviews
-Interview with Juan Pablo Alvarado (aka LCD)
The experience of a VJ between art and craft
Juan Pablo Alvarado (aka LCD) works as a VJ for five years and is one of the initiators of this movement in Colombia. In the following interview he talks about this kind of practice that are gradually opening up a space in the artistic. Alvarado made Noisferatv audiovisual performance in extra-base pre-launch during the last Festival of Film and Video in Santa Fe de Antioquia.
DIRECTORS
-Dunav
Kuzmanich
PATHS AUDIOVISUAL
16 memories Camilo Botero Jaramillo
-A crack in memory
By Carol Ann Figueroa
Carol Ann Figueroa, screenwriter and co-producer of 16memorias , wrote the following for the tribute that October 2008 was paid in Medellin Mario Posada Ochoa, during the Fourth National Meeting of Audiovisual Archives. An emotional recognition who filmed the original material this film reinvents. -16
reports an independent bid against forgetting
independent Bet against forgetting
By Camilo Botero Jaramillo
After two years of gestation, 16memorias, a documentary filmmaker Antioquia Camilo Botero Jaramillo, had several releases in late 2008, was made in Manila as part of an extra-base pre-launch and during the Festival of Film and Video from Santa Fe de Antioquia, among other venues. This tour promises that is just starting to dust off the passion for film archives in his capacity as documents, and amazed by the incredible beauty achieved through the records of Mario Posada Ochoa, an unsuspecting amateur photographer who filmed the family for 30 years. In the following, the director of the documentary reflects on his experience.
Acceptance of an honorary
So back to my city
By Luis Ospina
October 14 Valley University awarded an honorary degree in Communications-Journalism by filmmaker Luis Ospina . At the ceremony, accompanied him many friends from Cali, a real band since the seventies has become so particular audiovisual production and film fan in this city environment. On the occasion of much deserved recognition, Ospina read the following speech, a reflection on his career and his generation.
- Pasolini forty years later: the loneliness of the "palace" and "bad boys life" in Italian political cinema of 2008
By Luca D'Ascia
Two Italian films received awards at Cannes 2008: Gomorrah, Matteo Garrone, won the Grand Prize, and Il Divo, Paolo Sorrentino, winner of the Jury. Beyond these awards at a festival recently been devoted to other Italian directors as Nanni Moretti, Professor Luca D'Ascia for extra bases analyzed the meaning of both films, with which it is reborn in his own words, "a type of film committed, but critical and exempt ideological rigidity. "
CHARACTERS
-Interview with Rodrigo Moreno, director of The Guardian
"The rebellion has to do with any artistic process"
In 2006, The custodian of the Argentinean Rodrigo Moreno, made an exceptional tour of international festivals surprised by what we might call aesthetic intransigence. Moreno was invited in August 2008 to be part of the evaluation committee of the calls of the Film Development Fund along with Sergio Wolf, Andrew Wood and Carlos Sorin, among others. Take this opportunity to talk to him about his work, little known in Colombia, despite the custodian won the Bogota Film Festival 2006 - New Argentine Cinema now not so young and the process of Colombian cinema which, as a jury, was an exceptional witness .
- Interview with Argentina's Javier Mrad operator, special guest LOOP 2008
modest and simple magic
graphic designer, animator and video artist Javier Mrad Argentina was the special guest and Animation Festival Latinoamericano LOOP 2008 Games to be held from 15 to 30 August in Bogota. After his suggestive conference, offered in programming academic event, which saw some of his work as creative campaigns, animated pieces, opening of TV shows and independent shorts, experimental, extra-base hits were given the task of interviewing. It was not possible in vivo, but Mrad agreed to respond after a short questionnaire. Red Red
Juan Manuel Betancourt
- Interview with Juan Manuel Betancourt, director of Red Red
"Better a tangential approach to problems" Red Red
is perhaps the most short important released in Colombia in 2008. This is reinforced by the course that the work is done by national and international festivals, Fantasporto, Sitges, Guadalajara, Bogota, Cartagena, In Vitro Visual, among many others, wonder and awards has been accepted, but above all the clarity and enthusiasm of its team, led by Juan Manuel Betancourt, Natalia Pérez and Juan Díaz B. Betancourt spoke extra-base hits, the director, about this work originated in the School of Cinema-Television at the National University on the school itself and the training processes, and their prospects in the current Colombian audiovisual.
-Red Red and film collective creation
By María Antonia Vélez-
Eduardo Coutinho, Brazilian documentary
consecrate the detail
By Patricia Carbonari
Brazilian Eduardo Coutinho is now recognized as one of the most unique documentary makers, after having conducted extensive work of fiction. Actress Patricia Carbonari interviewed him at the last Independent Film Festival Buenos Aires, where Coutinho presented Jogo dinner, a look at the theater, women and the stories. REVIEWS
- XXY, Lucía Puenzo
- Empty Nest, by Daniel Burman
- The Pope's Toilet, by Enrique Fernandez and Cesar Charlone
- The Diving Bell and the Butterfly , Julian Schnabel
- Lust and Betrayal of Ang Lee
- A secret by Claude Miller
- PVC-1, Spiros Stathoulopoulos
FESTIVALS
- XXIII Festival Internacional de Cine de Mar del Plata
More quality, less public
By Ernesto Babino
's appointment Sea Silver premiere date and came with a revamped range of films. Our partner in Argentina we chronicles of international competition and an outline of other sections in a festival this year despite having amassed a copious amount of securities failed to do the same with the public. Japan took the top prizes, while some high-risk films were "postponed."
SOUNDTRACKS
- Kontroll by Jorge Arboleda
- Conflict actors, by Alejandro Ramírez
RADICALISM
-cinema of transgression
audiovisual items
-Peter Greenaway
-Dunav Kuzmanich
PODCAST
-Marianne Faithfull, muse of rock and film
A project
With the support of
