The truth is that I would have liked to start the record of this experiment - still not know when it starts and how long, with a more hospitable, but these are the facts. Could decirse que un cierto clima de desconfianza apuró barreras preventivas - de qué, nadie lo sabe tampoco- en esta primera visita guiada a La Tabacalera de Lavapiés. De hecho, no habían terminado de llegar todos los asistentes para que se nos informara que éramos tantos que tendríamos que ingresar al edificio de cinco en cinco. Dado que llegamos a sumar cerca de cuarenta, este plan significaba un importante dilema para todos aquellos afortunados presentes que no se encontraran en el paro. Así que las protestas no se hicieron esperar. ¿En qué se justificaban estas espontáneas medidas? No podía ser en nuestra seguridad, a menos que estén intentando deshacerse de los fotógrafos que se encuentran trabajando actualmente en the building and make it look like an "accident." Just kidding. We are all aware that we are facing an unprecedented situation. And as in these cases may never be the impression that one party is more right than the other, we agreed to enter into two groups. Sorry. "Parts said? Assuming that we all want the same thing. Some of it will, but some do not so clear. Suspicions aside, if anything we all agree, including architects, is in the building and its facilities are a fucking.
Here is a summary of the visit, in pictures.
A district representative explained to the representative Ministry of Culture that we understand their reasons, but expres visits s fives, as it will not drain.
David Rodriguez leads the first group. Those who did not know, they learn four things:
1. Artists with great ideas looking for investors, editors, commissioner, etc ...: refrain from sending projects.
2. La Tabacalera Lavapies-yet-not a museum. It will, of space indefinitely, a Self-managed Social Center (which does not know what is it that you look in the Wiki).
3. Those who, it appears from the above, are interested in contributing their creativity and work to the production of social resources, would do well to spend.
4. Facilities that the Ministry had offered, have been assigned to another project. The operations center moved to the east wing.
5. The courtyard in which we may be enjoyed by users of the center.
This is the view from the patio. Nice right?
Questions will, questions come. For bluer than the sky is, we're freezing. So enter the field.
How cool! It there is electricity and water in almost all the facilities we visited.
This is the clearest area of \u200b\u200bthe east wing.
From this point, one could say that each visit will amount according to your desires and style. I, for example.
I went through here.
around here.
Finally, I gave a lot of laps. When I came here I realized that I was getting into mess and kickback.
now reflect their personal capacity. There is a group of artists working-order, without impediment, or under the Sword of Damocles of a myriad of conditions, in the west wing of the La Tabacalera and a group of people outside the building-autonomous collaborative, able to demonstrate that a risky and generative cultural production is possible without million-listening through having to take turns five to visit the West Wing. Is it just me or anyone else sees this as a metaphor for cultural policy in Spain?
visits certainly have to be more dynamic tomorrow. See
rods for later.
rods for later.
Greetings.
E.
